{"id":1192,"date":"2021-01-15T13:50:44","date_gmt":"2021-01-15T04:50:44","guid":{"rendered":"https:\/\/www.yokohamatriennale.jp\/english\/?post_type=news&#038;p=1192"},"modified":"2023-02-25T13:51:40","modified_gmt":"2023-02-25T04:51:40","slug":"video-archive-of-episodo-07-sound-reason-september-16-27-is-now-available-online","status":"publish","type":"news","link":"https:\/\/www.yokohamatriennale.jp\/english\/news\/video-archive-of-episodo-07-sound-reason-september-16-27-is-now-available-online\/","title":{"rendered":"Video archive of Epis\u014ddo 07 &#8220;Sound Reason&#8221; (September 16-27) is now available online."},"content":{"rendered":"<div class=\"newstext\">\r\n\t\t\t\r\n\t\t\t<p>\r\n\t<a href=\"https:\/\/youtu.be\/N35tU9beMIM\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" alt=\"20210115_2.png\" class=\"mt-image-none\" src=\"https:\/\/www.yokohamatriennale.jp\/news\/images\/20210115_2.png\" style=\"width: 600px;\" \/><\/a><\/p>\r\n<p>\r\nThe video of Yokohama Triennale 2020 Epis\u014ddo 07 Sound Reason is now available.\r\n&nbsp;<\/p>\r\nOn view are <i>An Octagon and a Square II<\/i>  by the Indian sound artist Ish SHEHRAWAT (Ish S) and <i>Evolution of the Unknown VII<\/i> by the Indonesian artist, Venzha Christ, presented as part of installation as Epis\u014ddo 07 &#8220;Sound Reasons&#8221; at the Lecture Hall of the Yokohama Museum of Art from September 16 to 27, 2020. \r\n&nbsp;<\/p>\r\nPlease enjoy the different sequence and dynamics of the two different kinds of sound installations. (Total: 3 min and 30 sec)\r\n\r\n\t&nbsp;<\/p>\r\n<p>\r\n\t\u25b7Epis\u014ddo 07 Details:<span style=\"color: rgb(0, 0, 255);\"><strong><a href=\"https:\/\/www.yokohamatriennale.jp\/english\/2020\/concept\/episodo\/07\/\" target=\"_blank\" rel=\"noopener\"> Click here<\/a><\/strong><\/span><\/p>\r\n\r\n\t\t\r\n\t\t<\/div>","protected":false},"excerpt":{"rendered":"The video of Yokohama Triennale 2020 Epis\u014ddo 07 Sound Reason is now available. &nbsp; On view are An Octagon a [&hellip;]","protected":false},"author":1,"featured_media":0,"menu_order":19,"comment_status":"open","ping_status":"open","template":"","format":"standard","meta":{"footnotes":""},"cat_news":[3],"class_list":["post-1192","news","type-news","status-publish","format-standard","hentry","cat_news-report"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.yokohamatriennale.jp\/english\/wp-json\/wp\/v2\/news\/1192","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yokohamatriennale.jp\/english\/wp-json\/wp\/v2\/news"}],"about":[{"href":"https:\/\/www.yokohamatriennale.jp\/english\/wp-json\/wp\/v2\/types\/news"}],"author":[{"embeddable":true,"href":"https:\/\/www.yokohamatriennale.jp\/english\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yokohamatriennale.jp\/english\/wp-json\/wp\/v2\/comments?post=1192"}],"version-history":[{"count":1,"href":"https:\/\/www.yokohamatriennale.jp\/english\/wp-json\/wp\/v2\/news\/1192\/revisions"}],"predecessor-version":[{"id":1193,"href":"https:\/\/www.yokohamatriennale.jp\/english\/wp-json\/wp\/v2\/news\/1192\/revisions\/1193"}],"wp:attachment":[{"href":"https:\/\/www.yokohamatriennale.jp\/english\/wp-json\/wp\/v2\/media?parent=1192"}],"wp:term":[{"taxonomy":"cat_news","embeddable":true,"href":"https:\/\/www.yokohamatriennale.jp\/english\/wp-json\/wp\/v2\/cat_news?post=1192"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}