• twitter
  • facebook
  • insta
  • youtube
Search Artist

Carsten HÖLLER, Tobias REHBERGER, Anri SALA & Rirkrit TIRAVANIJA

Birthplace Carsten HÖLLER / Brussels, Belgium
Tobias REHBERGER / Esslingen am Neckar, Germany
Anri SALA / Tirana, Albania
Rirkrit TIRAVANIJA / Buenos Aires, Argentina
Year of birth Carsten HÖLLER / 1961
Tobias REHBERGER / 1966
Anri SALA / 1974
Rirkrit TIRAVANIJA / 1961
  • Exhibition year

    2017

  • Work title

    All Together. In Your Way. Out of Hands.

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    (dreams that money cannot buy)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Jitterbugs Tangofly Tagplants

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Transgender Question Seafood Vaporiser

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Slide House Project (Cedi House, Accra) (Worked by Carsten HOLLER)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Slide House Project (Central Business District Airport Tower House, Singapore) (Worked by Carsten HOLLER)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Slide House Project (Central Business District Corner House, Singapore) (Worked by Carsten HOLLER)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Slide House Project (Central Business District High Rise, Singapore) (Worked by Carsten HOLLER)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Slide House Project (River Reflective High Rise, Singapore) (Worked by Carsten HOLLER)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Slide House Project (Round Tower, Brazzaville) (Worked by Carsten HOLLER)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    freedom (Worked by Tobias Rehberger)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Lines on Black (Afif, Sala, Flavien) (Worked by Anri Sala)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Lines on Black (Holler, Tiravanija, Rehberger) (Worked by Anri Sala)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Lines on Black (Jung, Huxley, Stravinsky) (Worked by Anri Sala)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Lines on Black (Marisol, Warhol, Lichtenstein) (Worked by Anri Sala)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Untitled 2017, (a drop in the drain can change the ocean) (Worked by Rirkrit Tiravanija)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Untitled 2017, (bodhisattva appears in crimson tide) (Worked by Rirkrit Tiravanija)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Untitled 2017, (the days remain the same) (Worked by Rirkrit Tiravanija)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Untitled 2017, (the perfect kiss) (fig.1) (Worked by Rirkrit Tiravanija)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Max ERNST / The Swan is Very Quiet... (La cygne est bien paisible...)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Max ERNST / 'Et apres la Tenebreuse, ...' Collage for "Reve d'une petite fille qui voulut entrer au Carmel," Paris, 1930

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Max ERNST / 'Voici l'heure de la priere sans paroles. ...' Collage for "Reve d'une petite fille qui voulut entrer au Carmel," Paris, 1930

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Max ERNST / 'La superieure du couvent: Frappez, mon enfant, ...' Collage for "Reve d'une petite fille qui voulut entrer au Carmel," Paris, 1930

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Max ERNST / Unused Collage for "Une semaine de bonte ou Les sept elements capitaux"

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Max ERNST / ‘Der Engel im Spiegel’ Collage for “Die Nacktheit der Frau ist weiser als die Lehre des Philosophen,” Cologne, 1962

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Max ERNST / Œdipe 25

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Max ERNST / Configuration Nr.4

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Joan MIRO (Collaboration with Louis MARCOUSSIS) / Portrait de Miro

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Marquise Casati

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Larmes de Verre

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / L’Oeuf et la coquille (Solarization)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Peche et feuille

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Sans titre (Solarization)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Sans titre

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Meret Oppenheim

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Meret Oppenheim et Louis Marcoussis

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Meret Oppenheim et Louis Marcoussis

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Meret Oppenheim (Solarization)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Meret Oppenheim

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / En pleine ‘occultation’ de Venus

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Beau comme la rencontre fortuite sur une table de dissection d'une machine a coudre et d'un parapluie

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Andre Breton (Solarization)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Deux nus aux visages peints

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / Sans titre

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Man RAY / La Mode (Solarization)

  • Venue

    Yokohama Museum of Art

  • Exhibition year

    2017

  • Work title

    Yves TANGUY / Alphabet of the Wind (L’alphabet du vent)

  • Venue

    Yokohama Museum of Art